Installation view The Wet Wing

Curator tour with Kevin Gallagher

Modelling Life & The Wet Wing

Discover the stories behind the exhibitions Modelling Life and The Wet Wing with curator Kevin Gallagher.

The ultimate hidden truth of the world is that it is something that we make, and could just as easily make differently (David Graeber)

The optimism of American anthropologist David Graeber served as a guiding principle for Modelling Life. The exhibition shows how we make plans, shape dreams and build models – not only in architecture and art, but also in our daily lives. Kevin takes you on a journey through mysterious dream houses without stairs, unusual toy cars, kitchen appliances as costumes and more.

Painting on silk, sculpting pink marble, ceramic pots in which you can recognise snails and human torsos… With The Wet Wing, the artist duo Daniel Dewar & Grégory Gicquel present the finest examples of craftsmanship. Together with curator Kevin Gallagher, you will discover the vibrant underwater world and the stories behind it.

 

20.07.25, 13:30 to 15:00

Max 30 persons
Tour in English
Duration: 1:30
Refreshing break after the first exhibition

+ 26 years € 12
18-26 years € 6
- 18 years € 0
The exhibitions

Modelling Life

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Daniel Dewar & Grégory Gicquel

Daniel Dewar & Grégory Gicquel, Installation view The Wet Wing at Z33, Hasselt. Foreground: Stoneware jar with body fragments and snails, 2024. Background: Silk painting with mirror carp, common water-crowfoot, pondweed and duckweed, 2025. Commissioned by Z33. Courtesy the artists and Galerie Loevenbruck, Paris. Photo: Lola Pertsowsky

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Daniel Dewar & Grégory Gicquel at Z33

One model proposed for the visual art exhibition is the theatrical play. It is a stage setting minus performers, since we spectators are the actors who enact each scene, with the artworks serving as our ‘props’. Rather than reducing artworks entirely to props, however, this model assigns the spectator the role of script writer who imaginatively engages the set, each viewer coming away with their own plot. Following the Greeks, Hannah Arendt drew attention to the spectator’s significance, (…)