- A-Z night
- De Unie Hasselt-Genk
- Francesca Torzo
- Kunst aan de Maas
- Kunst in open ruimte
- Mies van der Rohe Award
- Milan Design Week
- Open Call
- Performatieve tentoonstelling
- performative exhibition
- Pit – Art in Public Space in Borgloon-Heers
- Presentatie jong ontwerptalent
- rehearsing Tentoonstelling
- Ruimtelijke installatie
- School of Time
- sound art
- Studio Future
- Tentoonstelling designtalent
- Tentoonstelling in Vleugel '58
- Tentoonstelling ontwerptalent
- The Wilde Things
- The Work of Time
- Z33 off-parcours
OpenStructures. Interview with Thomas Lommée
What is authorship in open source design? How is an object system based on open source distributed? Belgian designer Thomas Lommée, initiator of OpenStructures, talks about OpenStructures and prospective future of open source design in an interview published in connection with BIO 50 – 24th Biennial of Design Ljubljana in 2014.
Future Thinking. Interview with Tobias Revell
In the first Z33 Debate, ‘Future Thinking,’ Jan Boelen and Tobias Revell explore a series of questions related to design and future thinking. Whereas all designers design for the future, some do it more intentionally than others; for some, proposing or facilitating alternative future visions is the core of their work.
Imagining Futures. Perspectives on World-building
Future visions are everywhere. Politicians promise us a better future – certainly in times of elections – scientists and technologists work towards it, companies try to shape a version of the future in which their products and services become necessities, and you and I sometimes think about our future, or our children’s and grandchildren’s. But can we find our way in the midst of all those visions? Can we read and appraise them? Which parameters are important in order to do so?
Future Thinking in Art and Design. A Book
New Z33 Research book, ‘Future Thinking in Art and Design,’ approaches questions imagination, future literacy and ethics of future-oriented design and art practices. The publication, which will be published in the early 2018, consists of essays and reflections of prominent art and design thinkers and designers, and art and design projects.
Vera Sacchetti & Tamar Shafrir. A Good Virus
Partly triggered by the crisis and partly fighting to stay relevant, in recent years biennials have stepped out of their traditional boundaries by inviting multidisciplinary teams of curators to share relevant perspectives, exploring controversial niches in the design world or overlapping design and architecture with politics and policy.
Exhibition MANUFACTUUR 3.0 searches for new production models in a fast changing world. Digital revolutions, ecological awareness and shifts in the fields of work and labour encourage us to rethink the traditional industrial production model. MANUFACTUUR 3.0 brings designers and artists together to work around alternative production scenarios. The exhibition functions as a production platform, continuously in progress.
Exhibition Perpetual Uncertainty
Perpetual Uncertainty is an exploration of contemporary art in the nuclear anthropocene. The exhibition brings together international artists from across Europe, the USA and Japan to investigate experiences of nuclear technology, radiation and the complex relationship between knowledge and deep time.
Ele Carpenter. (Post-) Nuclear Anthropocene
Nuclear industry is undergoing a process of decommissioning and waste management. At the same time, a renewed interest in the ‘nuclear humanities’ is now also reaching art and curating. Curator and writer Ele Carpenter reflects on the relation of art and nuclear culture.
Dunne & Raby. Not Here, Not Now,
In a Z33 commissioned ‘Not Here, Not Now,’ Dunne & Raby present different interfaces for an alternative world. The interfaces belong to the digitarian world; one of the kingdoms of the United Micro Kingdoms project, characterized by neoliberalism and digital technology.
Exhibition as Novel. The Wilde Things.
With exhibition ‘The Wilde Things,’ Z33 explores new presentation models for contemporary jewellery in context of a wearer and within a narrative framework. Furthermore it takes a critical look at current developments within this discipline, which has evolved since the 1960s to become an autonomous, artistic, and reflective design practice.
Opening talk Konstantin Grcic-Panorama
Prior to the opening on March 21, 2014, of the exhibition Konstantin Grcic: Panorama (coproduced by Z33 and the Vitra Design Museum), the Vitra Design Museum hosted an opening talk in Zaha Hadid’s Fire Station on the Vitra Campus. Konstantin Grcic talks about his work with Mateo Kries (Director, Vitra Design Museum), and Jan Boelen (Artistic Director, Z33 ). They discuss inspiration and innovation, the challenges of contemporary design, and the social and technological utopias that could shape the world of tomorrow.
Sound Art in Visual Arts. The Symposium
‘Sense of Sound’ symposium brought together six curators specialized in sound art to discuss the status of sound art within the field of visual arts. The speakers include Joost Fonteyne, director of Festival van Vlaanderen Kortrijk and Sounding City, Carlo Fossati, director of sound art gallery E/Static, researcher, curator and author Nicole Gingras, Justin Luke, founder of Audio Visual Arts AVA gallery, curator Bernard Schulz, and Carsten Steiffart, founder of sound art gallery Singuhr.
Designing Scarcity. Scarcity in Rotterdam
When key materials and ingredients are scarce, those who control them have power. The rising value of a commodity can cause it to take on new meaning and can alter our relationship to it. Jan Boelen, artistic director of Z33 House for contemporary art, curated the exhibition ‘Designing Scarcity – Design and Innovation in Times of Scarcity’ at The New Institute in Rotterdam, The Netherlands.
Mentorship and Collaboration. Interview with Aldo Bakker and Rianne Makkink
In the third debate, Jan Boelen, Aldo Bakker and Rianne Makkink discuss their practice of mentorship and collaboration in their role as teachers at the Design Academy Eindhoven, in their own studios, and as mentors in the upcoming design biennial BIO 50 in Ljubljana, Slovenia, in September–December 2014.
Ele Carpenter. Getting Closer to Deep Time with Kota Takeuchi
Over the last 6 years, Fukushima-based artist Kota Takeuchi has made a series of intelligently informed and aesthetically embedded artworks that draw us closer to the contaminated site of the dilapidated Fukushima Daiichi Nuclear Power plant