Out of the Studio!
- A-Z night
- De Unie Hasselt-Genk
- Francesca Torzo
- Kunst aan de Maas
- Kunst in open ruimte
- Mies van der Rohe Award
- Milan Design Week
- Open Call
- Performatieve tentoonstelling
- performative exhibition
- Pit – Art in Public Space in Borgloon-Heers
- Presentatie jong ontwerptalent
- rehearsing Tentoonstelling
- Ruimtelijke installatie
- School of Time
- sound art
- Studio Future
- Tentoonstelling designtalent
- Tentoonstelling in Vleugel '58
- Tentoonstelling ontwerptalent
- The Wilde Things
- The Work of Time
- Z33 off-parcours
Exhibition Perpetual Uncertainty
Perpetual Uncertainty is an exploration of contemporary art in the nuclear anthropocene. The exhibition brings together international artists from across Europe, the USA and Japan to investigate experiences of nuclear technology, radiation and the complex relationship between knowledge and deep time.
Ele Carpenter. (Post-) Nuclear Anthropocene
Nuclear industry is undergoing a process of decommissioning and waste management. At the same time, a renewed interest in the ‘nuclear humanities’ is now also reaching art and curating. Curator and writer Ele Carpenter reflects on the relation of art and nuclear culture.
Ele Carpenter. Getting Closer to Deep Time with Kota Takeuchi
Over the last 6 years, Fukushima-based artist Kota Takeuchi has made a series of intelligently informed and aesthetically embedded artworks that draw us closer to the contaminated site of the dilapidated Fukushima Daiichi Nuclear Power plant
Sound Art in Visual Arts. The Symposium
‘Sense of Sound’ symposium brought together six curators specialized in sound art to discuss the status of sound art within the field of visual arts. The speakers include Joost Fonteyne, director of Festival van Vlaanderen Kortrijk and Sounding City, Carlo Fossati, director of sound art gallery E/Static, researcher, curator and author Nicole Gingras, Justin Luke, founder of Audio Visual Arts AVA gallery, curator Bernard Schulz, and Carsten Steiffart, founder of sound art gallery Singuhr.