Alvaro Barrington (VE, 1983) was born in Venezuela to Grenadian and Haitian migrant workers, Alvaro Barrington was raised between the Caribbean and Brooklyn, New York, by a network of relatives. An unwavering commitment to community informs his wide-ranging practice. While Barrington considers himself primarily a painter, his artistic collaborations encompass exhibitions, performances, concerts, fashion, philanthropy and contributions to the Notting Hill Carnival in London. His approach to painting is similarly inclusive – embracing non-traditional materials and techniques such as burlap and sewing – and infused with references to his personal and cultural history.

Drawing on formative experiences with his grandmother in Grenada, Barrington creates richly textural mixed-media paintings on the burlap fabric used in Caribbean cacao production. The artist’s use of stitched yarn in paintings and postcards draws upon the traditionally gendered craft traditions passed down by the women in his family. His intimate compositions, rendered in a distinctive palette of reds, browns, yellows and greens, often focus on single subjects in close-up: tropical vegetation, abstracted portraits and body parts. Recurring motifs such as the hibiscus, the national flower of Jamaica, conjure a romanticised view of the Caribbean that no longer exists except in memory.

Barrington, who has been involved in community activism, studied at Hunter College, New York, and The Slade School of Fine Art in London, where he started lecturing in 2019. His first solo exhibition, which opened the same year he graduated, was curated by Klaus Biesenbach at MoMA PS1, Queens, in 2017. His work has since been shown in numerous solo and group shows, including A Taste of Chocolate at Thaddaeus Ropac, London (2018) and his ongoing Tt x AB collaboration with the painter Teresa Farrell. Barrington co-curated the exhibition Artists I Steal From with Julia Peyton-Jones at Thaddaeus Ropac, London in 2019.

Published on

16 August 2021