Nepotists, opportunists, freaks, friends and strangers intersecting in the grey zone.
In the Invited by– series, Z33 invites a young curator to develop an exhibition project. this time, bolwerK – a non-exclusive, temporary constellation that initiates, mediates and facilitates projects, in which reflection and action are key – takes the lead.
Nepotists, opportunists, friends, freaks and strangers intersecting in the grey zone is a project in which social role definitions, movements and questions inside and outside of the art scene cross. The mise-en-scène in Z33 becomes a mise-en-action in which the artist, visitor or the public at large is addressed on his/her presence, own responsibility and potentiality to act. The undefined zone breaks free from the framework of the classical presentation spaces, both in form and structure. In this manner, the white or black box becomes grey or coloured, and always changeable.
IN SEARCH OF A SOURCE / NETWORK
7 February – March 31
A STRATEGY TO EDIFY OUR ROLE
April 1 – May 2
8Septante , Helga Baert, Kurt Cornelis, Audrey Cottin, elphine Deguislage, Lse Duclaux , Vincent Dunoyer , Factory of Found Clothes, FLCC, Fras Masereel Centrum, DoraGarcía , Wannes Goetschalckx , Katja Gretzinger , Gynaika, Koen agedoorns, Paul Hndrikse , Hacker Space Brussels , David Helbich, Saskia olmkvist , Annette Hollywood, Pepa Ivaova & Maria Lukova , Kris Kimpe, Johanna Krsch, Koninklijk HACK , The League of Noble Peers, Rebecca Lenerts, Sara Manente& Ondine Cloez, & Michiel Reynaert , Martaque Mobile Institute , The New Imagi, Natives nadine, Oostenrijks Cltuurforum , Karl Philips radio arthur (Franziska Glozer, Lucie Kolb, Valentina Stieger, Anna Frei) , Katrien Oosterlinck en Jordi Ferreiro radical_hope , Laia Sadurní , Tuning People, Marthe Van Desel , Benjamin Vandewalle & Erki De Vries , Kaat Van Looken , Anke Vanquathoven Iuliana Varodi , Karen Verschooren, Catherine Vertie & Kosten Koper, Caroline VincartStadswandelgids, Christine Woditscka, Zaal België, Zork Wollny , Zweese Ambassade
image: kwaremont, 2008, (c) Caroline Vincart