Riar Rizaldi, Fossilis, installation view by Selma Gurbuz. Exhibition in collaboration with the Jan Van Eyck Academie, Maastricht (NL). Video courtesy the artist and VH Award, Hyundai Art Lab, Seoul (KR).

Riar Rizaldi, Fossilis, installation view by Selma Gurbuz. Exhibition in collaboration with the Jan Van Eyck Academie, Maastricht (NL). Video courtesy the artist and VH Award, Hyundai Art Lab, Seoul (KR).

Riar Rizaldi

Riar Rizaldi (Indonesia, °1990) creates films that explore the relationship between science, fiction, and technology. Continuing on this momentum, he presents his first solo exhibition in Belgium. You find yourself in an extraterrestrial film set where ‘Fossilis’ (2023) is on display.

Riar recently graduated from the Jan van Eyck Academie in Maastricht. His films have been screened at various international film festivals (including Locarno, IFFR, FID Marseille, Viennale, BFI London) and also at Centre Pompidou Paris, Taipei Biennial, Istanbul Biennial, Venice Architecture Biennale, Jogja Biennial, and other institutions. He received the Hyundai Art Lab’s 5th Annual VH Award for the film ‘Fossilis.’

Curator: Kevin Gallagher

In collaboration with Jan Van Eyck Academie, Maastricht (NL).

This exhibition is part of ELEMENTS2024, a Euregional collaboration between 11 art institutions.

31.03 to 16.06.24
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Riar Rizaldi

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Contemporary Art Library

Riar Rizaldi: Fossilis

Riar Rizaldi in Contemporary Art Library

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Riar Rizaldi: Spirit Cinema

Get to know Indonesian artist Riar Rizaldi and his work.

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Riar Rizaldi “Fossilis” at Z33 House for Contemporary Art, Design and Architecture, Hasselt

A tropical landscape littered with rusted consumer goods, a “cannibal market” in Indonesia where machines are torn apart and sold for parts. Within Riar Rizaldi’s recent film Fossilis (2023) 1 we encounter scenes that are hard to resolve: are they speculative futures or current affairs?

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Een onvoltooid tegenwoordige tijd

Artist Riar Rizaldi (Indonesia, 1990) is everywhere. His films are shown worldwide — from Locarno to Marseille, from Paris to Istanbul, from Yogyakarta to New York, and Riar himself divides his time between Hong Kong and temporary residencies such as the Jan van Eyck Academy in Maastricht and Gasworks in London. Through his work, he reveals the complexity of our material and symbolic relationships with capital and technology, labor and nature, and he also seeks to reshape them. A few weeks before the opening of his exhibition at Z33, Henriette Gillerot spoke with Riar about horror, extraction, the shrinking of time and space, as well as the constant flow of objects and the ongoing transformation they generate.