- A-Z night
- art in public space
- Art on the Meuse
- De Unie Hasselt-Genk
- Francesca Torzo
- Francesca Torzo
- Kunst in open ruimte
- Mies van der Rohe Award
- Milan Design Week
- Open Call
- performative exhibition
- Pit – Art in Public Space in Borgloon-Heers
- School of Time
- Sophie Nys
- Studio Future
- The Time of Work
- The Wilde Things
- The Work of Time
Benjamin Verdonck explores the Meuse Valley on foot. Along the way he collects objects that tell us something about the area, from stones and seeds to plastic packaging and lost jewelry. He treats these everyday objects as relics which he presents in various chapels throughout the Meuse Valley. The carefully arranged collections show his journeys through the area where water and people each leave their own traces.
Save Our Souls
SOS or SAVE OUR SOULS is a common emergency signal used by castaways on desert islands in films and books. In the summer of 2021, that call for help came very close. The Meuse river threatened to over flow the dykewall in Heppeneert. In the riverbed, writer Maarten Inghels presents a word sculpture made of sand of the river Meuse. For him, SAVE OUR SOULS is a pointless cry for help in these times of increasing floods and summer droughts. The fact that the artwork can flood or wash away is essential for Inghels. With it, he emphasises the vulnerability of people and society in the face of the immense power of water.
Gravitational Waves is a subtle installation by artist Tomás Saraceno (°1973, Argentina/lives and works in Berlin). His projects are inspired by, among other things, spheres, cloud formations and… spiderwebs. In his work, he observes patters that occur both in the macrostructures of our universe and in the microsystems of nature. To Saraceno, the web is the best metaphor to connect everything that lives and survives. The installation seamlessly matches the surroundings of the Kattevennen and the Cosmodrome, where microcosms and macrocosms meet.
Picturesque Sketches: after Léon Becker
The concrete bridge at the Hoogzij connects the Heem Park with the nature reserve Kattevennen, but also brusquely interrupts this green area. British artist Nils Norman has painted the concrete walls with a collage of pictures that are inspired by the illustrations of the landscape painter and arachnologist Léon Becker (1826-1909). In the 19th century, Becker visited Genk and published a standard work on spiders. Norman’s painting refers to the surrounding nature and the importance of ecological balance. In it likewise a critique of the closing of the Ford factory and its social impact.
The Green House
The Green House in the middle of the Arboretum at Bokrijk was once ready to be demolished. Krijn de Koning decided to save it. He stripped the building from the inside out and added an extra layer to it, making it part of the Arboretum as a ruined pavilion. The design focuses on the beautiful enclosed garden that boasts a profusion of vegetation. He plays with the visitor’s gaze, sense of direction and perception. The work invites you to experience the place in a new way.
Exhibition as Novel. The Wilde Things.
With exhibition ‘The Wilde Things,’ Z33 explores new presentation models for contemporary jewellery in context of a wearer and within a narrative framework. Furthermore it takes a critical look at current developments within this discipline, which has evolved since the 1960s to become an autonomous, artistic, and reflective design practice.
The Swiss Atelier Amont designed Canal Pavilion, a pleasant meeting spot where you can relax or have a picnic. The expressive roof-shaped wooden structure, surrounded by curtains, was built in the Quartier Canal in Hasselt in 2014. You can now find it in the green environment of the Bethany Campus Hasselt.
The Rock Show
In 2014, Erik Odijk expanded the Emile Van Doren Museum with an outdoor exhibition space. Along with an ensemble of artists, he transformed the villa of landscape painter Emile Van Doren back into a place of encounter. The museum garden features the permanently exhibited works ‘Meeting Place of Memorial Stones for Lost Loved Ones’ (Erik Odijk), the ‘Prediction Module’ (Vaast Colson), ‘A meteorite named Erika’ (Erik Odijk) and ‘A Landscape for the Painter’ by Rudy J. Luijters.
Once again the artist militia meets in an unruly group portrait
The Belgian artist Rinus Van de Velde is creating a Night Watch 2.0. This monumental charcoal drawing was inspired by the genre of group portraits from the 16th and 17th century. He is bringing this tradition to Hasselt’s legendary local café Cambrinus. He depicts a fictional community of artists featuring both people from his own personal circle and the café’s regulars.