wo 31.05.17
In the first Z33 Debate, ‘Future Thinking,’ Jan Boelen and Tobias Revell explore a series of questions related to design and future thinking. Whereas all designers design for the future, some do it more intentionally than others; for some, proposing or facilitating alternative future visions is the core of their work.
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With exhibition ‘The Wilde Things,’ Z33 explores new presentation models for contemporary jewellery in context of a wearer and within a narrative framework. Furthermore it takes a critical look at current developments within this discipline, which has evolved since the 1960s to become an autonomous, artistic, and reflective design practice.
Nuclear industry is undergoing a process of decommissioning and waste management. At the same time, a renewed interest in the ‘nuclear humanities’ is now also reaching art and curating. Curator and writer Ele Carpenter reflects on the relation of art and nuclear culture.
Based on performance, exhibition All the Knives (Any Printed Story on Request) is triggered by audience entering the exhibition space. Always animated by performers, the show gathers stories of objects that are in constant flux.
Over the last 6 years, Fukushima-based artist Kota Takeuchi has made a series of intelligently informed and aesthetically embedded artworks that draw us closer to the contaminated site of the dilapidated Fukushima Daiichi Nuclear Power plant
01.05 tot 01.08.21
10.03 tot 24.05.20
29.01 tot 05.01.11
zo 29.09.19, 10:00
Jan Boelen, Johanna Agermann Ross of Disegno magazine and freelance design writer and critic Tamar Shafrir discuss the role of design discourse and critique at the horizon of Milan Design Week.
On November 17 last year, the seventh Nuclear Culture Roundtable took place at Z33, a day of debates accompanying the exhibition Perpetual Uncertainty. What exactly is nuclear culture, and what’s the origin of the Nuclear Culture Roundtable?
23.11 tot 03.01.15
In the case of sound art, the medium itself forces the viewer to change his normal mode of perception. Finding the right form for the presentation is a crucial element, especially in the world of visual arts that is mostly focused on the visual.
The Induction Series by Aernoudt Jacobs, co-produced by Z33, reviews and re-interprets the laws of electromagnetic induction to make sounds, and emphasizes the transition between what can be seen and what can be heard.
Vulva Island, een sculptuur van Michèle Matyn in Bichterweerd, Dilsen-Stokkem
Studio Time. Future thinking in art and design
Out of the Studio!
23.11 tot 27.03.16
Perpetual Uncertainty is an exploration of contemporary art in the nuclear anthropocene. The exhibition brings together international artists from across Europe, the USA and Japan to investigate experiences of nuclear technology, radiation and the complex relationship between knowledge and deep time.
‘Sense of Sound’ symposium brought together six curators specialized in sound art to discuss the status of sound art within the field of visual arts. The speakers include Joost Fonteyne, director of Festival van Vlaanderen Kortrijk and Sounding City, Carlo Fossati, director of sound art gallery E/Static, researcher, curator and author Nicole Gingras, Justin Luke, founder of Audio Visual Arts AVA gallery, curator Bernard Schulz, and Carsten Steiffart, founder of sound art gallery Singuhr.