21.05 tot 30.08.20
Studio Time. Future thinking in art and design
29.10 tot 01.01.07
30.08 tot 11.10.20
za 28.05.22, 14:00 tot 16:30
02.07 tot 05.02.10
02.12 tot 21.05.06
Vleugel 19
20.02 tot 04.04.21
21.01 tot 22.04.07
10.09 tot 10.09.23
“Under the spreading chestnut tree I sold you and you sold me: There lie they, and here lie we Under the spreading chestnut tree”
Lees meer
10.05 tot 01.04.15
10.02 tot 31.12.11
12.01 tot 30.03.14
10.01 tot 01.08.17
16.03 tot 25.05.08
In the case of sound art, the medium itself forces the viewer to change his normal mode of perception. Finding the right form for the presentation is a crucial element, especially in the world of visual arts that is mostly focused on the visual.
18.11 tot 16.02.13
za 21.05.22, 14:00 tot 15:30
02.04 tot 13.05.12
02.07 tot 05.10.09
28.11 tot 13.02.05
17.11 tot 18.11.12
za 30.09.23, 19:30
The Induction Series by Aernoudt Jacobs, co-produced by Z33, reviews and re-interprets the laws of electromagnetic induction to make sounds, and emphasizes the transition between what can be seen and what can be heard.
09.10 tot 15.01.06
10.04 tot 07.08.22
24.06 tot 24.09.06
17.02 tot 19.05.13
za 07.05.22, 14:00 tot 15:30
29.06 tot 28.09.08
03.02 tot 25.03.04
In the first Z33 Debate, ‘Future Thinking,’ Jan Boelen and Tobias Revell explore a series of questions related to design and future thinking. Whereas all designers design for the future, some do it more intentionally than others; for some, proposing or facilitating alternative future visions is the core of their work.
Jan Boelen, Johanna Agermann Ross of Disegno magazine and freelance design writer and critic Tamar Shafrir discuss the role of design discourse and critique at the horizon of Milan Design Week.
za 14.05.22, 14:00 tot 16:30
21.11 tot 13.03.11
Out of the Studio!
With exhibition ‘The Wilde Things,’ Z33 explores new presentation models for contemporary jewellery in context of a wearer and within a narrative framework. Furthermore it takes a critical look at current developments within this discipline, which has evolved since the 1960s to become an autonomous, artistic, and reflective design practice.
Based on performance, exhibition All the Knives (Any Printed Story on Request) is triggered by audience entering the exhibition space. Always animated by performers, the show gathers stories of objects that are in constant flux.