02.04 tot 13.05.12
13.10 tot 19.01.14
16.03 tot 25.05.08
10.01 tot 01.08.17
Based on performance, exhibition All the Knives (Any Printed Story on Request) is triggered by audience entering the exhibition space. Always animated by performers, the show gathers stories of objects that are in constant flux.
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21.01 tot 22.04.07
The Induction Series by Aernoudt Jacobs, co-produced by Z33, reviews and re-interprets the laws of electromagnetic induction to make sounds, and emphasizes the transition between what can be seen and what can be heard.
09.10 tot 15.01.06
02.12 tot 21.05.06
05.05 tot 18.08.13
24.06 tot 24.09.06
10.09 tot 10.09.23
29.06 tot 28.09.08
03.02 tot 25.03.04
28.11 tot 13.02.05
18.11 tot 16.02.13
12.01 tot 30.03.14
17.02 tot 19.05.13
Studio Time. Future thinking in art and design
06.03 tot 10.07.12
10.02 tot 31.12.11
02.07 tot 05.10.09
15.05 tot 15.05.16
Over the last 6 years, Fukushima-based artist Kota Takeuchi has made a series of intelligently informed and aesthetically embedded artworks that draw us closer to the contaminated site of the dilapidated Fukushima Daiichi Nuclear Power plant
Nuclear industry is undergoing a process of decommissioning and waste management. At the same time, a renewed interest in the ‘nuclear humanities’ is now also reaching art and curating. Curator and writer Ele Carpenter reflects on the relation of art and nuclear culture.
02.07 tot 05.02.10
29.10 tot 01.01.07
Out of the Studio!
26.09 tot 13.12.09
21.11 tot 13.03.11
Perpetual Uncertainty is an exploration of contemporary art in the nuclear anthropocene. The exhibition brings together international artists from across Europe, the USA and Japan to investigate experiences of nuclear technology, radiation and the complex relationship between knowledge and deep time.
14.03 tot 30.05.10
On November 17 last year, the seventh Nuclear Culture Roundtable took place at Z33, a day of debates accompanying the exhibition Perpetual Uncertainty. What exactly is nuclear culture, and what’s the origin of the Nuclear Culture Roundtable?
In the case of sound art, the medium itself forces the viewer to change his normal mode of perception. Finding the right form for the presentation is a crucial element, especially in the world of visual arts that is mostly focused on the visual.
10.05 tot 01.04.15
With exhibition ‘The Wilde Things,’ Z33 explores new presentation models for contemporary jewellery in context of a wearer and within a narrative framework. Furthermore it takes a critical look at current developments within this discipline, which has evolved since the 1960s to become an autonomous, artistic, and reflective design practice.